Overview
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Use: Media professionals demanding top-quality automotive content for their print products and/or Web sites. Professional artwork, editing.
What it is: Many of you asked if we could put our expertise to work to create a feature that covers not just classic cars, but those vehicles that have left an indelible mark on car culture. The Fine Lines series examines significant vehicle marques, their backgrounds and their contributions to the history of the automobile. All this, with real artwork.
Product specifications
- Mac and PC page layout with accompanying text and
art files for maximum work flexibility. - About 850 words: separate text file included.
- Layout is 8×21.5 inches (newspaper), but can be
reconfigured by your designer to fit most spaces. - PDF of layout included.
- High-resolution artwork suitable for print.
- Includes Photoshop layers file of main art.
- Multi-platform page layout opens with either Quark
Xpress or Adobe Indesign. - Fonts are not included, but we attempt to stay with
standard system fonts. If not, just change the fonts to
match your style.
Description
When people are willing to spend money on big cars, why try to sell them something smaller? The 1960s was an age where excess wasn’t actually seen as excessive, so the market for small and thrifty cars was indeed thin. And if an automaker didn’t build big cars, it was missing out on both sales and huge profits. Sleek and stylish, the redesigned American Motors Ambassador had everything going for it when it first appeared in 1965. As the company’s flagship fashion statement, the car seemed (on paper, at least) to be the equal of its Big Three competition.